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Girls on the VergeReview - Girls on the Verge
Debutante Dips, Drive-bys, and Other Initiations
by Vendela Vida
Griffin Trade, 2000
Review by Libby Fabricatore
Nov 18th 2001 (Volume 5, Issue 46)

Go undercover for a sorority rush, crash a Debutante ball, and experience Burning Man in Vendela Vida's Girls on the Verge: Debutante Dips, Drive-bys, and Other Initiations. In this 170 page book, Vida poses as a sorority rushee, interviews Debutantes, and examines modern rights of passage, as well as various forms of initiation for young women in America today. Vida enables the reader to be a fly on the wall, witnessing coming of age rituals ranging from the traditional and conventional to the obscure and bizarre. Written in amiable prose that is smart, humorous and entertaining, Vida's observations provide good objective insight as to what these rituals are about, who engages in them, and what they mean to the young women involved. Girls on the Verge is divided into two parts: the first examines conventional institutions and the second examines more unconventional methods that young women have chosen to assert independence.

In Part One, three of the most traditional coming of age institutions are examined: Sorority Rush, Quinceaneras, and Debutantes. In the first and most humorous chapter, twenty-six year old Vida goes undercover and poses as an eighteen-year-old entering freshman at UCLA. She assumes the alias of Katie Wintersen, adopts the proper persona of a rushee, and proceeds to undergo the entire humiliating process of rushing for a sorority. Throughout the process, she notes not only what the significance of belonging is to the girls, but also how the girls' very identity and self worth is vested in the outcome of the rush. After a conversation with one of the sisters, she notes, ...what she really means to say is, wear what you want to be judged and evaluated in, dress like your popularity/ happiness/ overall success while you're at UCLA, and maybe the rest of your life, too, depends on it.

The girls' self worth seems to rely entirely on what their counterparts, the fraternity boys, think of them. The rushees are primped so that they will look like the kind of girls boys like, and therefore the sisters will select them because this will bring benefits to the house: Attractive rushees improve, or at least maintain, the sorority's gene pool, and therefore its reputation as well.
Vida's foray into the world of sororities is successful: her persona of Katie Wintersen surfaces as Tri-Delt. Despite the fact that the sororities appear to only value all that is shallow and vain, at the end of the ordeal, Vida is able to recognize what the value in it is for young women away from home for the first time.
 
I go back to New York with all the paraphernalia of membership...I also go back with something less tangible: a new understanding of the appeal and advantages of group membership. I realize that sororities provide college arrivistes with a perfect blend of freedom and security; sororities...offer their members a new social identity, but one that has the solidity and widespread recognition that comes with age.


In Part Two of the book, Vida explores less conventional avenues with which young women begin to assert their sense of independence. She interviews and spends a considerable amount of time with girls that are or have been in gangs, girls involved in witchcraft, and young brides in Las Vegas wedding chapels. She notes the striking similarities between sororities and girl gangs. Both provide girls with a sense of belonging, identity, family and stability. Both emphasize appearance: looking good in a girl gang is just as important as looking good in a sorority. Both have extensive initiation rituals, and both have the social interest of partying and boys. Vida recognizes that often young women involved in these rituals are searching for purpose, meaning and identity in their lives.

The Epilogue of the book discusses the phenomenon of Burning Man, a three to four day long party in the desert attended by both men and women of varying ages. The climax of this event is the torching of a giant effigy of a man, which apparently holds no symbolic meaning whatsoever. A party for no other reason other than simply because they can, Burning Man attendees gather and create a temporary village filled with booths offering goods and services, all for free. Apparently the only requirement of this being that you bring something in return to give away. At the particular Burning Man event that Vida attended, one of the more popular attractions was the suntan lotion tent, whereby scantily clad or nude patrons are treated to a full body suntan lotion coating. Burning Man is a celebration for which there is no meaning (attaching your own personal meaning is encouraged, whatever that may be), and ironically the search for meaning is what draws most of the attendees to the event in the first place.

Girls on the Verge provides strong insight into what motivates young women struggling to find their identity and place in an increasingly more complex society. Vida's experiences reflect what expectations society unwittingly imposes on these young women, and she is successful at retelling her findings with empathy, humor and wisdom.

© 2001 Libby Fabricatore

Libby Fabricatore lives on Long Island, NY. She spends her time struggling to find her identity and skeptically examining the expectations placed on her by society. She currently bartends in order to fund her ever-increasing habit of going to U2 concerts.


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